DOCUMENTARY 2025 · Brazil & United States

A DAYTOREMEMBER

On November twentieth, nineteen sixty-eight, seventy-eight miners went down for their shift in Farmington, West Virginia, and none of them came back home. What happened inside that mine, and the ten days the families spent waiting for an answer that took its time arriving, ended up teaching the world to treat workplace safety as a public matter rather than a private inconvenience.

Directed by · Andreza Araújo Languages · PT · EN · ES Available on · YouTube

This story has been recognized by institutions that work with occupational safety around the world, because what happened in Farmington still gets studied by anyone who takes this profession seriously.

3 languages
Portuguese · English · Spanish
2 countries
Brazil & United States
10 days
of filming in Farmington
14 testimonies
families · survivors · EHS
free access
Official poster: Andreza Araújo presents the documentary, facing the camera
About the documentary

The tragedy that changed labor law.

On a morning in November of nineteen sixty-eight, an explosion at Consol No. 9 mine in Farmington left seventy-eight men trapped hundreds of meters below ground, and the families waiting at home began a vigil that would last ten full days without any official news about the bodies. The documentary follows what happened over those two weeks through the testimony of those who stayed behind, because the story isn't really about the collapse itself, but about the silence that followed.

Andreza Araújo handles this film the way an accident investigator handles her work when there is still respect for the craft, which means no rush, no imposed narration, letting the archives and the descendants speak for themselves. As the film unfolds, it becomes clear that Farmington was not just an industrial accident, because the public outcry that built up over those ten days ended up pressuring the U.S. Congress, the following year, to pass the first major federal mining safety reform in the country's history.

The reach of that reform traveled from country to country over the decades, until the International Labour Organization chose April twenty-eighth as the official date to honor workers killed and injured on the job, and this is the thread the documentary tries to retrace for an international audience. Anyone who watches walks out knowing where the date written on every safety poster actually came from, and what needs to happen inside each company so that April twenty-eighth keeps being more than just paperwork.

Direction
Andreza Araújo
Release
2025
Runtime
1:15:06
Official trailer

Watch before bringing it to your team.

Watch the trailer below before bringing the full film to your team, because a minute and a half is enough to understand why this story still needs to be told.

Official trailer 1:48 Watch on YouTube
What happened

The tragedy that changed history.

78

miners who clocked in for the night shift and never came home in Farmington, on November twentieth of nineteen sixty-eight.

Farmington · Nov 20, 1968
April 28

the day chosen by the ILO as the World Day for Safety and Health at Work, precisely because of what we learned from tragedies like Consol No. 9.

International Labour Organization
2.78 million

workers who die each year worldwide from work-related accidents or illnesses, according to the most recent report from the International Labour Organization.

ILO · 2023 report
57 years

the gap between the Farmington disaster and the release of this documentary, because memory that gets lost also turns into statistics that keep repeating.

1968 — 2025
Why this documentary exists

Three commitments that sustain every minute of this film.

01

Memory

Before this story disappears from the conversations companies have inside their own walls, the documentary exists to give back name, face and biography to the seventy-eight professionals who got reduced, over the decades, to a number in a technical report. Bringing memory back is the first thing that needs to happen, because every real culture of safety starts from there.

02

Safety culture

When a company understands that safety culture does not get built by hanging a poster on the break-room wall, but by decisions taken every day by whoever runs the shift, that company starts treating prevention as part of the operation rather than an attachment to it. The film works as a starting point for that conversation, because it shows directly what happens when concern for the worker's life takes second place.

03

Future of the profession

There is a generation entering the field now, in safety engineering, in occupational health, in supervisory roles, and that generation needs to understand where the profession it chose actually came from. When the professional who is just starting out learns how this field was built, what gets carried into the rest of their career is a sense of responsibility that classroom training alone cannot deliver.

After watching

The story only matters if you do something with it.

First pillar

Share

Send the link to the colleague who still works the night shift at a mine, at a refinery, at a construction site, because this story was made to circulate among the people who know, firsthand, what is at stake when someone goes down for a shift without being sure they will come back up.

Share the film
Third pillar

Commit

Before you close this browser tab, choose one thing that will change tomorrow in your professional routine because of this story, even if it is small, even if it feels symbolic. Safety culture does not shift through a single lecture.

Featured
Second pillar

Screen at your company

If you lead safety, operations or human resources at a company that takes the subject seriously, organize a screening of the documentary for your team during safety week, on World Day for Safety and Health at Work, or at any moment of the year when this conversation needs to happen. We have put together a full guide so that you can run the screening with proper support material before, during and after the film.

How to host a screening
Andreza Araújo standing next to the memorial of the 78 miners in Farmington, West Virginia, in the snow
Farmington · Virgínia Ocidental

"Voltar a Farmington foi entender por que o vinte e oito de abril não pode ser só uma data no calendário."

Who made it happen

Film credits

Direction
Jonatas Costas
Screenplay
Babi Cardoso
Cinematography
Bob Campione / Joe Megna
Archival footage
wvhistoryonview.org
Color grading
Marcelo Giglio (Telinho)
Camera
Felipe Augusto / Jonatas Costa
Translation
Alessandra Boldrini
Motion design
Igor Boldow
Audio engineering
Lucas Britto
Mixing
Leo Machado
Dubbing
Prisma Soluções em Eventos
Special thanks
Farmington families
West Virginia Mine Wars Museum